Banners of Liberty: The An Appeal to Heaven, Grand Union, and Revolutionary War Standards

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The Vexillology of Rebellion: An authoritative historical study of American Revolutionary War standards, tracking the transition from British colonial colonial ensigns to Washington’s Cruisers, the Pine Tree flag, the Gadsden rattlesnake, the Grand Union, and the Betsy Ross circle of stars.

1. The Visual Language of American Insurgency

Between 1774 and 1777, the thirteen North American colonies underwent a profound geopolitical transformation: transitioning from loyal subjects of the British Crown to an independent federal republic waging a continental war against the world’s most powerful military empire. During this turbulent interregnum, the continental rebels had no unified national flag. Instead, the American Revolution was fought under a vibrant, defiant panoply of localized insurgent standards, militia banners, and maritime pennants, each articulating philosophical treatises on natural rights, constitutional resistance, and armed defiance.

These early banners drew their visual symbols from the North American wilderness—specifically the resilient Eastern White Pine and the venomous Timber Rattlesnake—fused with classical republican maxims from Enlightenment thinkers like John Locke. By studying these revolutionary flags, historians decode the evolving psychology of the colonists as their demands evolved from constitutional reform within the British Empire to irrevocable sovereign independence.

Vexillological Thesis: Early American revolutionary banners were legal briefs in fabric form. Each emblem—from the severed snake to the pine tree—was designed to communicate the philosophical legitimacy of rebellion against royal tyranny under natural law.

2. The Pine Tree Flag: “An Appeal to Heaven”

In the autumn of 1775, General George Washington faced a catastrophic tactical dilemma: the Continental Army besieging British-occupied Boston was virtually destitute of gunpowder, heavy artillery, and naval vessels to intercept incoming British transport ships. Taking personal command, Washington commissioned a private fleet of armed schooners—famously known as “Washington’s Cruisers”—funded out of his own pocket.

To identify these warships, Washington’s personal military secretary, Colonel Joseph Reed, designed the Pine Tree Flag. It consisted of a stark white field charged with a dark green Eastern White Pine tree, surmounted by the solemn motto: “An Appeal to Heaven.”

The Lockeian Philosophical Underpinning

The phrase “An Appeal to Heaven” was directly extracted from British philosopher John Locke’s second Treatise of Civil Government (1689). Locke argued that when a government breaks its social contract with the people and closes all avenues of legal redress, the citizens have no earthly judge left to arbitrate their grievances: “They have then no other remedy… but to appeal to Heaven,” meaning they possess the natural right to take up arms in open insurrection, trusting in God’s divine justice to vindicate their cause.

Revolutionary Standard Designer / Leader Year Core Symbolic Device & Meaning
Pine Tree Flag Col. Joseph Reed / Washington 1775 Green White Pine on white field; Lockeian appeal to divine justice against tyrannical monarchs.
Gadsden Flag Christopher Gadsden 1775 Coiled Timber Rattlesnake on yellow ground; “Don’t Tread on Me” vigilance and lethal defensive retaliation.
Grand Union Flag Continental Congress 1775/76 Thirteen stripes with British Union in canton; constitutional protest claiming rights of Englishmen.
Moultrie Liberty Flag Col. William Moultrie 1776 Indigo field with silver crescent and “LIBERTY”; defensive victory at Fort Sullivan, Charleston.
First Stars and Stripes Francis Hopkinson / Betsy Ross 1777 13 stripes with 13 white stars on blue field; complete sovereign rupture and new constellation.

3. The Gadsden Flag: The Rattlesnake and “Don’t Tread on Me”

In December 1775, South Carolina delegate Christopher Gadsden presented a striking new yellow standard to Commodore Esek Hopkins, commander-in-chief of the newly formed Continental Navy. The flag depicted a coiled American timber rattlesnake poised to strike across a patch of green grass, with the unyielding warning below: “DON’T TREAD ON ME.”

The rattlesnake had been popularized as an American symbol by Benjamin Franklin as early as 1754 in his famous “Join, or Die” woodcut. In an anonymous 1775 essay in the Pennsylvania Journal, Franklin masterfully analyzed why the rattlesnake was the supreme emblem of American virtue:

  • The rattlesnake is unique to the North American continent, found in no other quarter of the globe.
  • She never begins an attack, nor when once engaged ever surrenders: she is therefore an emblem of magnanimity and true courage.
  • She never wounds without first generously giving notice to her enemy by sounding her rattle, warning them against the danger of stepping upon her.
  • Yet her bite, once delivered, is fatally decisive—symbolizing the deadly consequences of violating American liberties.

4. The Grand Union Flag: The Ambiguity of the Canton

On January 1, 1776, at Prospect Hill overlooking Boston, General George Washington hoisted the first recognized flag of the United Colonies: the Grand Union Flag (also called the Continental Colours). The design consisted of thirteen alternating red and white stripes representing the thirteen united colonies, but retained the British Union Flag (the combined crosses of St. George and St. Andrew) in the canton.

This flag encapsulated the profound political ambiguity of late 1775. The Continental Congress was not yet fighting for independence; they were fighting for their constitutional liberties as free British subjects under the British Crown. The Grand Union affirmed their loyalty to the King while asserting their collective solidarity against tyrannical parliamentary taxation. When British troops in Boston saw the flag unfurl, they mistakenly believed the Americans were raising a flag of surrender to King George III, highlighting the urgent need for a clean, unmistakable break in vexillological heraldry.

Heraldic Parallels — The East India Company Flag:
The Grand Union Flag was visually identical to the long-standing maritime ensign of the British East India Company (EIC), which featured thirteen horizontal red and white stripes with the St. George cross or Union in the canton. While some historians speculate whether American revolutionaries consciously copied the EIC flag, most vexillologists agree that both derived independently from British maritime stripe traditions.

5. The Flag Act of 1777: “A New Constellation”

Following the Declaration of Independence in July 1776, the retention of the British Union in the canton became a political and military impossibility. On June 14, 1777, the Second Continental Congress meeting in Philadelphia passed the concise, historic Flag Act:

“Resolved, That the flag of the thirteen United States be thirteen stripes, alternate red and white; that the union be thirteen stars, white in a blue field, representing a new constellation.”

The phrase “representing a new constellation” elevated the American flag from an arbitrary military ensign into an astrological and philosophical statement. Just as a new constellation takes its permanent place in the heavens, the United States was asserting its sovereign, perpetual existence among the sovereign nations of the earth. Design credit for the original star pattern belongs primarily to New Jersey signer of the Declaration of Independence Francis Hopkinson, who submitted a formal bill to the Board of Admiralty for his artistic services.

6. The Betsy Ross Legend vs Historical Reality

The beloved American folk legend of Betsy Ross—who was allegedly visited in June 1776 by George Washington, Robert Morris, and George Ross, and who demonstrated how to cut a five-pointed star with a single scissors snip—was first popularized in 1870 by her grandson William Canby. While historical records confirm that Elizabeth Ross was a skilled Philadelphia upholsterer who manufactured naval standards for the Pennsylvania Navy, contemporary diaries and congressional minutes contain no record of her designing the Stars and Stripes.

Regardless of the designer’s identity, the circular arrangement of thirteen stars (the “Betsy Ross pattern”) remains an enduring masterpiece of republican symbolism: by arranging the stars in a circle, the design ensured that no state stood superior to another, reinforcing the fundamental constitutional principle of federal equality.

7. Frequently Asked Questions

What was the Moultrie Liberty Flag at Fort Sullivan?

In June 1776, Colonel William Moultrie designed an indigo blue flag bearing a silver crescent moon in the canton with the word “LIBERTY” stitched across it. During a savage nine-hour British naval bombardment of Fort Sullivan in Charleston harbor, the flag was shot away. Sergeant William Jasper heroically leaped over the fort’s parapet amid heavy cannon fire, recovered the fallen banner, and replanted it on the ramparts, inspiring the defenders to a stunning victory.

Why were five-pointed stars chosen instead of European six-pointed stars?

In classical European heraldry, stars (mullets) traditionally featured six or eight points. Francis Hopkinson and American flagmakers preferred five-pointed stars (the pentagram), which were visually cleaner, optically distinct from British heraldic stars, and easier to manufacture in textile bunting.

Conclusion: The flags of the American Revolution were not static textiles; they were dynamic battle standards of human freedom. From the serene pine tree of Massachusetts to the defiant rattlesnake of South Carolina, they laid the foundation for the visual identity of the United States.

8. Forgotten Flags of the American Revolution: Bedford, Guilford, and Fort Mifflin

While the Gadsden snake and the Grand Union flag dominate popular history, the continental militia regiments clashed with British redcoats under a host of fascinating regional battle standards that reflected local colonial craftsmanship:

The Bedford Flag: Oldest Battle Standard in the United States

Preserved today in the Bedford Free Public Library in Massachusetts, the Bedford Flag is the oldest surviving battle flag in the United States. Manufactured in England circa 1700 for a Massachusetts colonial cavalry troop, it was carried by minuteman Cornet Nathaniel Page during the fateful Battle of Concord on April 19, 1775, when colonial farmers fired the “shot heard ’round the world.” Made of crimson damask silk, it depicts an armored arm emerging from a cloud clutching a silver sword, surrounded by three silver cannonballs and the Latin motto: “VINCE AUT MORIRE” (“Conquer or Die”).

The Guilford Courthouse Flag (1781)

Flown by North Carolina militia forces at the Battle of Guilford Courthouse under General Nathanael Greene, this standard is renowned for its reverse color scheme: a white canton bearing thirteen eight-pointed blue stars, accompanied by thirteen horizontal stripes of alternating red and blue. The flag illustrates how rural militia flagmakers interpreted congressional flag resolutions using whatever dyed fabrics were locally available on the frontier.

Battlefield Standard Engagement Date Fabric Construction Key Vexillological Innovation
Bedford Flag April 19, 1775 (Concord) Crimson damask silk, silver and gold leaf Only pre-revolutionary standard carried during the outbreak of armed hostilities.
Fort Mifflin Flag Autumn 1777 (Delaware River) Wool bunting: 13 alternate red, white, blue stripes Endured the heaviest bombardment of the war; defended against British Royal Navy warships.
Bennington Flag August 16, 1777 (Vermont) White arches above numeral “76” in blue canton Famous folk art flag celebrating the spirit of 1776; white stripes border the outer edges.
Vexillological Conclusion: The flags of the American Revolution were born of improvisation, courage, and philosophical conviction. They transformed the visual landscape of North America, replacing imperial crowns with the enduring heraldry of democratic self-governance.

Global Vexillological Preservation: Institutional Archives, Legal Protections, and Heraldic Authorities

To preserve national standards and historic banners for future generations, sovereign nations maintain dedicated statutory bodies, heraldic colleges, and state archives. Studying how international institutions document, restore, and legally protect flag heritage reveals the profound cultural reverence accorded to vexillological artifacts worldwide.

A. The College of Arms and the Court of the Lord Lyon

In the United Kingdom and the Commonwealth, the granting and regulation of flags is administered by the College of Arms in London (established by King Richard III in 1484) and the Court of the Lord Lyon in Edinburgh, Scotland. In Scotland, the Lord Lyon King of Arms possesses judicial power under ancient acts of the Scottish Parliament: displaying an unauthorized or historically defective coat of arms or banner on a public building is a criminal offense, prosecutable in the Lyon Court.

B. The Flag Research Center and FIAV International Congresses

Founded in 1962 by Dr. Whitney Smith, the Flag Research Center pioneered the scientific methodology of modern vexillology. Together with the Fédération Internationale des Associations Vexillologiques (FIAV), uniting over fifty regional associations across six continents, scholars convene biennially at the International Congress of Vexillology (ICV) to debate historical flag discoveries, coordinate flag conservation science, and standardize digital vexillological taxonomy.

C. Constitutional Flag Protection Laws and Degradation Etiquette

National flag codes around the world mandate specific dignified procedures for retiring soiled or damaged standards. In the United States (4 U.S.C. § 8k), when a flag is no longer a fitting emblem for display, it should be destroyed in a dignified manner, preferably by burning during a respectful solemn ceremony. Similarly, the Flag Code of India (2002) mandates that damaged national flags must be destroyed privately in their entirety, preferably by burning or burying in accordance with sovereign dignity.

Heraldic / Vexillological Body Jurisdiction Founding Year Primary Sovereign Function
College of Arms England, Wales, Northern Ireland 1484 Official heraldic registry; grants standards, royal banners, and state coats of arms.
Court of the Lord Lyon Scotland c. 1318 Statutory heraldic court regulating Scottish clan standards, civic flags, and arms.
FIAV (Fédération Internationale) Global (50+ Member Associations) 1967 Coordinates worldwide vexillological scholarship, research journals, and international congresses.
National Heraldry Bureau South Africa (State Herald) 1963 Registration of national, municipal, and institutional heraldic flags and emblems.
10 Golden Principles of International Flag Etiquette:

  1. Always hoist the national flag briskly to the peak and lower it ceremoniously with slow deliberation.
  2. Never allow a sovereign flag to touch the ground, floor, water, or objects beneath it.
  3. When flown alongside regional or corporate banners, the sovereign national flag always occupies the supreme position of honor.
  4. Never display a national flag upside down, except as a signal of dire medical or navigational distress.
  5. During half-mast mourning, first hoist the flag to the peak for an instant before lowering to half-staff.
  6. Illumination is required if a flag is displayed outdoors during the hours of darkness.
  7. Do not place advertising slogans, signatures, or unauthorized badges directly upon the field of a national standard.
  8. Store flags folded neatly in clean, moisture-free cases to prevent mold, fabric oxidation, and pest damage.
  9. When multiple foreign flags fly together, each must fly on its own staff of equal height and identical scale.
  10. Retire worn, faded, or frayed flags privately with dignity and reverence.

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